Jonah Moses

(CZ)

Fenix festival

Jonah Moses is active in DJing since 2011 on psytrance scene. In his life he studied sound engineering, piano, organ, musical improvisation and spent a lot of time playing in bands, jamming with friends and listening to the music. He actively plays a didgeridoo, synthesizers and also an accordion, which he plays in his band playing Klezmer music. That was one of the things that led him to the musical style goa and psytrance sharing very similar melodic foundation and procedures with Klezmer. Jonah is a member of the psydeco crew Wizarts, where he as an artist focuses on string art, uv active back drops and analogue projection.

On parties he very much likes to play oldschool goa trance with strong melodic elements that originated between 1995-2000, but he also plays the psytrance, oldschool fullon and first wave of dark psychedelic trance and generally doesn't follow any strict genre rules, he goes by the feeling. He often likes to start with deep slow Goa trance around 138 BPM and then to rise up in the rapid acidic trance with around 150 BPM. His interests also include a wide variety of psychedelic chill out music with or without deep slow beats. Chill-out stage, according to him, is an important part of any party. Meditation space sets based on drones, synthesizers and Tibetan bowls, sometimes with some gentle tabla rhythm are his speciality.

Interview


Jonah Moses

(CZ)

Fenix festival

Jonah Moses is active in DJing since 2011 on psytrance scene. In his life he studied sound engineering, piano, organ, musical improvisation and spent a lot of time playing in bands, jamming with friends and listening to the music. He actively plays a didgeridoo, synthesizers and also an accordion, which he plays in his band playing Klezmer music. That was one of the things that led him to the musical style goa and psytrance sharing very similar melodic foundation and procedures with Klezmer. Jonah is a member of the psydeco crew Wizarts, where he as an artist focuses on string art, uv active back drops and analogue projection.

On parties he very much likes to play oldschool goa trance with strong melodic elements that originated between 1995-2000, but he also plays the psytrance, oldschool fullon and first wave of dark psychedelic trance and generally doesn't follow any strict genre rules, he goes by the feeling. He often likes to start with deep slow Goa trance around 138 BPM and then to rise up in the rapid acidic trance with around 150 BPM. His interests also include a wide variety of psychedelic chill out music with or without deep slow beats. Chill-out stage, according to him, is an important part of any party. Meditation space sets based on drones, synthesizers and Tibetan bowls, sometimes with some gentle tabla rhythm are his speciality.

Interview